“Œ‹žŒρ¬ƒEƒBƒ“ƒhƒI[ƒPƒXƒgƒ‰ in ƒNƒ‰ƒVƒbƒN

ƒEƒBƒŠƒAƒ€Eƒeƒ‹^˜‹Θ–Ό‹ΘW

WILLIAM TELL^OVERTURES

Žϋ˜^‹Θ

01DŠμ‰ΜŒ€uŒy‹R•Ίv˜‹ΘƒFDvDƒXƒbƒy^–Ψ‘Ί–q–ƒ„@[7:05]

LIGHT CAVALRY, overture ƒF. v. Suppe^M. Kimura„@(Œρ¬o”ΕŽΠ)

02D‰ΜŒ€uƒZƒ”ƒBƒŠƒA‚Μ—”―Žtv˜‹ΘƒGDƒƒbƒV[ƒj^“‘“cŒΊ”d„@[7:11]

THE BARBER OF SEVILLE, overture ƒG. Rossini^Gemba Fujita„@(–’o”Ε)

03D‰ΜŒ€uƒEƒBƒŠƒAƒ€Eƒeƒ‹v˜‹ΘƒGDƒƒbƒV[ƒj^ˆξŠ_‘μŽO„@[12:06]

WILLIAM TELL, overture ƒG. Rossini^Takuzo Inagaki„@(–’o”Ε)

04D‰ΜŒ€u‰^–½‚̗́v˜‹ΘƒGDƒ”ƒFƒ‹ƒfƒB^ˆξŠ_‘μŽO„@[7:39]

THE FORCE OF DESTINY, overture ƒG. Verdi^Takuzo Inagaki„@(–’o”Ε)

05D‰ΜŒ€uƒVƒ`ƒŠƒA“‡‚Μ—[‚Χ‚Μ‹F‚θv˜‹ΘƒGDƒ”ƒFƒ‹ƒfƒB^VDFDƒTƒtƒ‰ƒlƒN„@[8:46]

THE SICILIAN VESPERS, overture ƒG. Verdi^V. F. Safranek„@(Carl Fischer)

06D‰ΜŒ€uƒ‹ƒXƒ‰ƒ“‚ΖƒŠƒ…ƒhƒ~[ƒ‰v˜‹ΘƒMDIDƒOƒŠƒ“ƒJ^FDƒwƒjƒ“ƒO„@[5:19]

RUSSIAN AND LUDMILLA, overture ƒM. I. Glinka^F. Henning„@(Carl Fischer)

TOTAL TIME00:00

‰‰‘t

ŽwŠφF’†‘Ίƒ†ƒŠ

‰‰‘tF“Œ‹žŒρ¬ƒEƒBƒ“ƒhƒI[ƒPƒXƒgƒ‰

˜^‰Ήƒf[ƒ^

˜^‰Ή“ϊF1993”N2ŒŽA12ŒŽ@˜^‰ΉκŠF“όŠΤŽs–―‰οŠΩA]ŒΛμ•Ά‰»ƒZƒ“ƒ^[

CDƒf[ƒ^

”­”„“ϊF2009”N02ŒŽ04“ϊ

ƒŒ[ƒxƒ‹FƒLƒ“ƒOƒŒƒR[ƒh

•i”ԁFKICC-723

’θ‰ΏF2,000‰~












SEO [PR] ”š‘¬!–³—ΏƒuƒƒO –³—Ώƒz[ƒ€ƒy[ƒWŠJέ –³—Ώƒ‰ƒCƒu•ϊ‘—